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FUNLMO 18G 16G Japan Maker New 14G CZ Opal Sur Conch Long-awaited 316L Earring Cartilage Hoop

FUNLMO 18G 16G 14G CZ Opal Cartilage Conch Earring Hoop 316L Sur

$9

FUNLMO 18G 16G 14G CZ Opal Cartilage Conch Earring Hoop 316L Sur

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From the brand

Body Piercing RingsBody Piercing Rings
cartilage earring nose rings conch piercing jewelry helix earring daith earrings septum jewelry cartilage earring nose rings conch piercing jewelry helix earring daith earrings septum jewelry
FUNLMO is not only a best gift for someone, but also a great idea for yourself.

Our story


How we got our start?
Design Idea:Someday when we are growing old, I will never forget the attractive lady who wears the simple and elegant jewelry. FUNLMO is committed to creating fashionable and exquisite designs, expanding the classic timeless style of women’s fashion. So, we decided to create our own brand FUNLMO.
What makes our product unique?
Our jewelry not only makes every woman more beautiful, but also expresses her own personality. Our products are made of high-quality materials so that they can become a best gift for someone, but also a great idea for yourself.
Why we love what we do?
We aspire to design small and exquisite treasures for all women and provide daily fashion products. We have been working hard to improve our products and do our best.

Product Description

16G CZ Opal Cartilage Earring Hoop16G CZ Opal Cartilage Earring Hoop

  • Product Type nose rings / septum clicker / cartilage earrings / tragus earrings / daith earrings / helix earring / rook earrings / conch earring .
  • Gauge Sizes 18G 16G 14G
  • Barbell Length INFO 6mm 8mm 10mm 12mm
  • Color Silver, Gold, Black,Rose gold, Rainbow.

  • Multiple using It can be use as Helix, Forward Helix, Cartilage, Tragus, Rook, Conch, Lobe, Lip Piercing, nipple Piercing, Smiley Piercing and more.
  • These earring hoops are rich in colors. Silver, gold, rose gold and black are all the basic colors for daily use. Rainbow will make you stand out.
16G Cartilage Earring Opal Daith Earrings Nose Rings Septum Jewelry 16G Opal Septum Clicker Daith Earrings Surgical Steel Nose Ring 16G Baguette Clear Gem Hinged Segment Ring CZ Cartilage Earring Hoop 16G Stainless Steel Septum Clicker Snake Hinged Segment Ring 16G Triple Stacked Septum Clicker Hoop Surgical Steel Hinged Nose Rings
Color Silver, Gold, Rose Gold White opal, Purple opal, Blue opal Gold Silver, Gold, Rose Gold Silver, Gold, Rose Gold, Black, Rainbow
Thickness 16 Gauge 16 Gauge 16 Gauge 16 Gauge 16 Gauge
Inner Diameter 8mm, 10mm 8mm, 10mm 8mm, 10mm 8mm, 10mm 8mm, 10mm

FUNLMO 18G 16G 14G CZ Opal Cartilage Conch Earring Hoop 316L Sur

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News and Artists

Covid-19: Update: 27th Aug 2021

During the current unprecedented situation, Chandos Records continues to trade as normally as possible. As many of our staff are working remotely, we would ask you to submit any queries online here rather than by telephone. CD orders are being despatched on the next working day, but understandably due to the pandemic delivery times will vary and take significantly longer than usual, depending on your location. Please note there are also countries ‘on suspension’ by UK’s Royal Mail. We thank you for your understanding.

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Artist in Focus

Following John Wilson's reformation of the Sinfonia of London in 2018, the super-orchestra have released six albums to universal critical acclaim. As they make their BBC Proms debut on September 4th, we feature their discography to date with              25% discount on all titles.

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Performance ****      Recording *****

“… Ruby Hughes commands attention throughout – there’s no ‘clever’ underlining, no irrelevant tonal refulgences or prima donna posturings. Intense concentration on text and emotional nuance replace them, and dovetail seamlessly with Joseph Middleton’s similarly insightful piano playing.”

Performance ****      Recording *****

“… Ruby Hughes commands attention throughout – there’s no ‘clever’ underlining, no irrelevant tonal refulgences or prima donna posturings. Intense concentration on text and emotional nuance replace them, and dovetail seamlessly with Joseph Middleton’s similarly insightful piano playing.”

Terry Blain - – BBC Music magazine – November 2021
Performance ****    Recording ****
"... Beautifully performed throughout ..."
Performance ****    Recording ****
"... Beautifully performed throughout ..."
Kate Wakeling - BBC Music magazine - November 2021

Choral and Song Choice

Performance *****      Recording *****

“… Ira Hochman directs with vitality, and CPO deserves our thanks for providing so much hitherto neglected or undiscovered repertoire by this indefatigable composer.”

Choral and Song Choice

Performance *****      Recording *****

“… Ira Hochman directs with vitality, and CPO deserves our thanks for providing so much hitherto neglected or undiscovered repertoire by this indefatigable composer.”

Nicholas Anderson - BBC Music magazine - November 2021
Performance ***      Recording ****
 
Performance ***      Recording ****
 
Claire Jackson – BBC Music magazine – November 2021

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Berta Joncus – BBC Music magazine – November 2021

Performance ****      Recording ****

“…Under Bernhard Forck, the orchestra performance impresses right from the start of the overture … throughout, the recorded sound is clear.”

Performance ****      Recording ****

“…Under Bernhard Forck, the orchestra performance impresses right from the start of the overture … throughout, the recorded sound is clear.”

George Hall – BBC Music magazine – November 2021
Performance ****       Recording ***
 
Performance ****       Recording ***
 
Steph Power – BBC Music magazine – November 2021

Performance ****      Recording ****

“… The 15-player period ensemble Concerto Copenhagen, directed from the harpsichord by Lars Ulrik Mortensen, accompanies stylishly; and if the soloist is placed rather far forward in the spacious recording, who could complain with playing like this?”

Performance ****      Recording ****

“… The 15-player period ensemble Concerto Copenhagen, directed from the harpsichord by Lars Ulrik Mortensen, accompanies stylishly; and if the soloist is placed rather far forward in the spacious recording, who could complain with playing like this?”

Bayan Northcott – BBC Music magazine – November 2021

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